Instagram/@lolakirke
Diva Lola must have been smiling from ear to ear, feeling grateful, for the reception given to Kirke’s new release that came out over the weekend. The actress-musician pair posted their heartfelt message on socials against the backdrop of snippets from the Turner Rosen-directed video. So much happiness and gratitude for the track burns in the post, much sharing of joy in the collaboration that went into making it.
Advertisement
Use of the tearful-eye emoji in the caption, “Thanks for listening to ‘Maps’ over the weekend 🥹 We had so much fun creating this song, and hope you love it as much as we do,” suggests, in a very joyful manner, that this release means much on a personal level. The video snippet was that tasty bite of sonic delight that would almost assuredly have listeners yearning for more, precipitating that craving for the entire arrangement.
“Maps” has been met with-the heavy support of Kirke’s niche: enthusiasm coming from excited giggles from all the members of the population, among fellow musicians included. In surprise, a listener commented on their excitement at just realizing that this version bore the title “Maps,” far preferring this alternative rendition of the song. The comment suggests that Kirke somehow gave new life to the song for those listeners, both reactivating the curious part of those who possibly might have heard the song before.
Another fan admits that the song has been on heavy rotation in their playlist ever since the debut of this version. That almost became heavy engagement: speaks to the almost spontaneous charisma and great repetition value of the song, and it singles out Kirke as one who crafts something that touches the heart in both an emotional and musical manner.
Another windred contributor noted the work’s family-oriented nature. One parent advised that they and their family members were “jamming to this all weekend.” With this intergenerational appreciation, one sees the broad appeal of this work and its ability to speak to listeners of varying age groups-an imposing feat in today’s fragmented music landscape.
The family nod somehow entered into professional musicians’ conversations, who proclaimed it an extraordinary release and offered their thanks for it in the music scene. More another muso expressed excitement about hearing the clip, spurring their eagerness for the full track, giving solid clues that the preview had already carved out that anticipation.
Another witty comment came through; a witty observer made an odd observation that asked, “But why is a stick of butter being pet?” Such an odd observation opens up an engaging conversation, reminding that art might lead to such odd questions and interpretations of the creative process.
Lola Kirke, who has recently been active in her music career with television credits such as “Mozart in the Jungle” and feature films such as “Gone Girl,” merges and fuses country, folk, and indie rock for a singular tone much laudable by the critics. This release seems to be a step further in the direction of her development as a legitimate and serious musical artist whose works are acclaimed while still managing to engage casual ears.
The payoff to “Maps” might indicate that her projects in the music world have found themselves in the hearts of the people; indeed, the musicians show their loudest passion for not only the sound but through the making thereof, as depicted by Kirke. What she calls “so much fun” translates into fun listening and appreciation from the listeners.
Advertisement
As she continues to mingle her acting and music careers, “Maps” instills both paradigms, showing how one feeds the other: the brand of emotionally genuine performance she offers before the camera is probably present authentically in her music, making it her artistic brand that flows from one arena to another. The reaction to her latest musical offering shows that this concoction has won over the audience, who have gladly embraced the next artistic detour she undertakes.